January is hot and humid. The pasture is tall and golden, seed heads flying. The cows have been ailing with eye infections and my farmer man is out working long hours in the heat. We've watched rainclouds build and roll over us without giving a drop. We've savoured dips in the dam and ripe summer fruit. I've put ice cubes in my coffee and begun a special quilt project using only linen scraps. Twice I've gone for a walk and watched the same wedged-tail eagle perched, perfectly still on the branch of a tall gum tree. We've stretched our hands into the soft fur of our new maremma pup, Pippin. He is the first puppy we've owned, and although a working dog, he is full of delight and fluffiness. I cannot help but smile when I see him. It's summertime - when the days stretch on and on, and we sigh audibly with relief when the evening breezes come in. We have nowhere to go and not much to do, which is to say, we're content to lay low in this beautiful and exhausting season // 

2021 was another year of frequent making; sewing, stitching and knitting things to wear and give away as gifts. I found having a craft project going at all times helped with the constant changing and unsettling of routines. It tethered me to the confines of a thing - something to hold in my hands - to start and finish. To wear with joy, to give away with love. I was able to fill some gaps in my wardrobe and make use of scraps and offcuts too. 

Here are my favourite me-made things from the year:

Hinterland Dress + Lark Tee

The perfect combination! I ended making two hinterland dresses this year - the first in a beautiful terracotta/clay coloured linen cotton and the second in a natural oatmeal hemp-linen. The pattern by Sew Liberated is  well-written and easy to follow, but it's worth taking time to make sure the fit is correct, especially in the bust and shoulders. I opted for the sleeveless version without a button placket and the thin waist ties. The pockets are deep and generous. 

I also made 5 long-sleeve lark tees (pattern by Grainline Studio). This felt like a real accomplishment - the pattern itself is very straightforward and easy to follow. I loved being able to modify the arm and torso length to fit my body perfectly and the rounded boat-neck (which has always been my favourite neckline). Not to mention being able to use natural knit fabrics that suit the seasons - cotton jersey and merino wool jersey. I reach for them day after day! They are wonderful worn on their own and under sleeveless dresses like my hinterland and washi dresses. 

Buness Beret 

Someone once told me knitting in colour work was like painting; it is so enjoyable! And stranded colour work is not nearly as difficult as I always thought it would be - the hardest thing is holding an even and relaxed (but not too relaxed) tension with the different strands of yarn - and like most craft techniques it becomes easier and more natural the more you do it.

​I loved this pattern inspired by traditional fair isle designs the first time I saw it. I extended the ribbing on the brim so that it would cover my ears a little better - I can't stand a hat that doesn't do that - what is the purpose?! I was also able to use yarn already in my stash. 

Seashell Mitts and Fiddler Mitts

Warm fingerless mittens were a saving grace for me this year over the cold months when the circulation in my hands got so poor I was getting blue and white fingers and chill blains on my knuckles. It seems my thyroid is no longer functioning as she should and that is affecting a number of things, including circulation in my body. 

Melissa's seashell mitts pattern is free and wonderful to follow. The other pair were requested by Archie - I used the Fiddler Mitts pattern without the frilly edging. 

Seaside Shawl + Felix Cardigan 
I finished this shawl at the beginning of 2021 and have worn it non-stop through every season - it is so versatile! I love the subtle sage green colour and can wear it with pretty much everything I own. The cotton-silk yarn is soft and durable and doesn't pill at all. The pattern is by Carrie Bostick Hodge. 

And the Felix Cardigan. It is perhaps my favourite knitted garment yet - it was a simple and quick knit and is flattering over dresses or tops. I used wool yarn unravelled from a wrap I made years ago held together with a silk + mohair blend. The result is soft and warm and snuggly. It does pill but not too noticeably thanks to the halo of the mohair. I love this dearly. 

Wiksten Oversize Jacket

Thus was a very luxurious and technically challenging project for me. I have admired versions of this jacket using the Merchant & Mills jacquard cotton for a few years. When this clay-rose hued version of the fabric came on sale I purchased just enough to make one for myself. The jacquard was quite fiddly to sew neatly with, but I got there in the end. The jacket is also lined with a medium weight cotton-linen fabric - the result is a very warm and quite heavy, snuggly jacket. You really do feel like you are pulled down into a hug - or wearing a quilt around your shoulders. I love the pockets too. Pattern by Wiksten in Making Magazine. 

Ogden Camisoles 

I love these camisoles. They are the perfect summer layer - lightweight and almost silky cotton lawn from Liberty of London and the elegant and simple camisole pattern from True Bias. I was able to cut them from just 1 metre of fabric with generous scraps left over. Highly recommend the pattern too which is easy to follow.

Flying Geese Cushion + Prayer Quilt

I also have to include these: a flying geese prayer cushion and also reflective blanket as a collaboration with my friend and artist Adam Lee. It was an invigorating and enjoyable creative process to play with linen and cotton and the traditional geese "triangle" design. The cushion was to accompany a commissioned painting of his and the prayer blanket will be part of an exhibition Adam is doing for Kyneton Contemporary in March. The latter will include five of Adam's mesmerising, beautiful paintings with five accompanying blankets that have been made by local makers and artisans and are in conversation with each his painted works and themes. I cannot wait to see them all sharing space together. 

// 
Winter + Spring Making
Autumn Making
Summer Making 
Making 2020

How about you friends, what have you loved making this past year? 

Christmas was a day of blessing, of excitement and sunshine, quiet and calm, candlelight. It was perhaps the simplest and gentlest one we've had as a family (in part owning to my being so weary and recovering from recent illness), and yet it was a day overflowing with love, and mugs of warm tea, good food and company, hearty thankfulness. 

May all God wants
to bless you with
come to be, and may
your inner mangers,
fresh with hope,
hold wonders of His love,
and splendors of His world,
and wisdoms of His word

May peace surround you,
behind and before you,
your words and work,
your hearth and kin,
and all the friends 
you haven't seen,
in your heart speak:
the prince of peace 

And as the trees of the field
clap their hands,
may you sing joy -
marvel in the clouds
bees and sprouting seeds
full plates and grubby chins,
jolly abandon
it all begins with love.

December is a blur of endings and illness and sunshine and the garden bursting with colour and growth, the flap of birds and the buzz of bees. We pick spent poppy heads for the door wreath and eat the last of the snow peas and shell the first of the broad beans (which the boys call "exploding rocket beans!"). Our dwelling, Fiddler's Cottage, undergoes much needed repairs to the wood cladding and is also given a lick of fresh paint which is glorious to behold.. We observe the four weeks of advent with our calendar of boxes filled with love notes and sweets, we read storybooks and Christmas fables and scriptures and poems, on Sundays we light the candles on our wreath and reflect on the gifts of hope, peace, joy and love Jesus brings...

"To step over the low wall that divides
Road from concrete walk above the shore
Brings sharply back something known long before--
The miniature gaiety of seasides."
​
-Philip Larkin, To the Sea

The grower of trees, the gardener, the man born to farming,
whose hands reach into the ground and sprout,
to him the soil is a divine drug. He enters into death
yearly, and comes back rejoicing. He has seen the light lie down
in the dung heap, and rise again in the corn.
His thought passes along the row ends like a mole.
What miraculous seed has he swallowed
that the unending sentence of his love flows out of his mouth
like a vine clinging in the sunlight, and like water
descending in the dark?

-Wendell Berry, "The Man Born to Farming", 1998

This poem by Wendell Berry lingers in my senses, how beautifully - how truly - he evokes the lessons of the farming life; the ever-shifting landscape of a farmer's heart and mind, seasons of shadow and loss, wellspring and renewal. 

This year marks eight years that Alex and I have been farming. Eight years our full-time vocation, livelihood. and partnership among the dung and eggs and pasture, chickens and bees and cows. Every year brings it's own difficulties and blessed relief - this one battered us with wild weather, pandemic and unexpected choices and gifted us an egg-packing house, full water tanks and growing hope. 

Unlike Wendell, Alex and I were not born into farming; though at age 24 and 31 you could say we became re-born to it. Tending the earth, listening to it's wisdom, braving harsh realities and a steep learning curve (that contains to grow), rejoicing with our neighbours, our patrons, our landlords and our children when things come right - we realise how small and insignificant we are, yet with hands to ground, are closer to God, made whole. 


//
Seven years farming
Four years farming, an ode

An overdue making post with things made in winter and more recently in spring. Nights and mornings are still quite cold with delicious mild, sunny afternoons here and there. I think my making has reflected this balance of wanting to be warm and cozy and yet also anticipating the changes of the new season - and hopefully more short sleeves and sandal wearing! And though I said I never would, I have become a person who loves to wear a bit of pink... 

Oversize Kimono/Unfolding Jacket
Pattern by: Wiksten Made (Size S)
Fabric: Jacquard cotton by Merchant and Mills (outer) // Essex dyed linen/cotton from Robert Kauffman (inner)

I have admired this jacket for years and especially versions using the exquisitely made jacquard cotton from Merchant & Mills. I was able to purchase some of the latter in musky pink on sale (I also managed to get the inner fabric heavily discounted as it had some minor imperfections in the weave). I cut a size S, and was able to squeeze the jacket pieces into just two meters. The jacquard frays easily when cut and is definitely not the easiest fabric to sew with. I took my time and sewed it in stages over a few evenings. I absolutely love the finished jacket - it is so warm and cosy. It is designed to be oversize and can be worn over a few layers. It has this heaviness too, which I kind of like - literally pushing my body down and enfolding it in soft fibers. The boys call it my "pink cloud jacket" and it really is...

Linen Hinterland Dress 
Pattern by Sew Liberated
Fabric: Japanese washed linen

Another pattern I have long wanted to try. I decided to go for the sleeveless version without the button placket.  Its a simple, gathered skirt, dress, with two waist ties, bias binding on the neck and arm holes, darts at the bust and lovely, generously sized side pockets. The fabric is a medium weight linen and is great worn over long sleeve tops (such as the Lark Tees I made in autumn) or on warmer days on it's own with a cardigan. I tried extending the hem with a thick band (that took the length just above my ankles) but decided to unpick it and do a simple folded hem just past the knees instead. 

Gingham Array Shirt
Pattern: Array Shirt from Making magazine
Fabric: Linen/cotton blend

Excuse the crumples! I have made the array shirt a couple of times now and really love it's comfortable fit and how quickly it sews up. It is essentially a box shape with a bias-binded neck and folded hems for the sleeves and bottom. I love that it uses just-under a metre of fabric. I mistakingly sewed the bias neck band on the wrong side but decided I would leave it. Am I crazy? Probably.. 

Scrap Hats
Pattern: Serpentine Hat
Fabric: linen and cotton offcuts from my stash including part of an old dress. 

This is a super speedy, stash-busting hat pattern! I was need of some wide-brimmed sun hats now that the weather is warming up. I used fusible facing for the brim - to add a little structure - and am experimenting with threading a line of plastic wire around the edge (Top hat has the wire / second hat is without it).  I also used the inside-out method/hack that some people shared when using the pattern, whereby you join the inner + outer hats together and sew around the brim (right sides facing), then feed them through an opening in one side that was deliberately left un-sewn. I love that the hats are revisable and fit my head perfectly - I can't abide a too-tight or too-loose hat. 

Imogen Tee 
Pattern: Carrie Bostik Hodge
Yarn: Ochre Yarn 5ply, 304 Range (merino + yak) colourway "gem"

I knit this short sleeve tee with a group of three friends in a KAL (Knit-along). It was such a pleasure to see the progress of all our versions (using four different colours and kinds of yarn) - and is clearly a versatile and flattering pattern. I couldn't resist this warm, chocolatey brown yarn from my local fair-trade Ochre-yarn lady. It is a blend of merino wool and yak and is extremely soft and delicious. The panel of lace in the middle of the tee kept the project interesting enough all the way through without being overwhelming or mundane. I highly recommend it.

Super Comfortable Cotton Leggings
Pattern: Avery Leggings by Helen's Closet Patterns
Fabric: European Cotton Elastane Jersey, Melange "putty" colour

Finally some handmade leggings! A friend shared this pattern with me and it is perfect. I find myself intimated by the prospect of sewing jersey fabrics but then soon discover how straightforward it is with the right tension and stitch-style - and I loooove how jersey fabrics don't fray on you. The pattern is well written and I  love the addition of a gusset and wide waist band. I will wear these under skirts and dresses, the perfect layer for sprinter weather.

What have you been making lately?

September brings springtime. Sunshine. Daffodils. New leaves. Electric green. Open Windows. Tiny birds. Vaccinations. Birthdays. Snap dragons. School holidays. Busy bees. Sprouting broccoli. Suprise calfs. Forget-me-nots. Bluebells. Baby leeks. Island cubbies. Afternoon walks. Tadpoles. Valerian. Hopeful dreams //

Winter ending and all about us glimmers of colour and life emerging: growing grass and velvety moss a shocking green which months of soaking rain will bring. There's blue through skeleton trees, that if you look carefully reveal tiny shoots and buds.  The garden gifts us lettuce, spinach and broccoli florets and the fattest worms we've ever seen. Longer days means more eggs laid and outdoor rambles before tea. I spy a rainbow on the fridge and all manner of drawings plastered above boys' beds. So much good food on our tables, freuqent celebrations for little things. And everywhere we look daffodils and jonquils blooming. Thankful // 

Midwinter is damp and overcast and my hands ache in the cold // We enter our fifth lockdown and return to the rollercoaster of big feelings and disappointments, slowness and exasperation // The heater is lit every day and kept glowing hot over night, and the nook beside it is perfectly cat shaped // Wood cut from trees that blew over in the storm are stacked up to dry // Craft brings much comfort - face masks for friends and family, a colorful beret from leftover yarn scraps and a thin nae shawl in a delicious deep red // Hope is a short walk every day on my own, ruby rose hips on a dry vine, wax flowers on the kitchen bench, flower buds on the Chinese quince // Hope is everything beautiful and true and praiseworthy, the Good Shepherd who leads me gently on, in everything we can't see yet, a cup of hot tea, a ray of sunshine on the cheek //